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Here Zhi You Yun movie Zhi You Yun tamilyogi Zhi You Yun Zhi Dao (2018) English Film... December 21, 2019 8:16PM PT A Chinese émigré travels New Zealand with his wife's ashes, reliving their relationship, in Feng Xiaogang's shamelessly mushy weepie. To international audiences more accustomed to the relative restraint of Chinas arthouse exports, “Only Cloud Knows, ” a slab of toothcrackingly sentimental mooncake from regular national box-office conqueror Feng Xiaogang, might come as a bit of a surprise. This episodic, determinedly winsome love story, told in honeyed flashback, follows a grieving husband as he journeys to the places of significance to his beloved, dead wife across their adoptive New Zealand homeland. The locations are stunning, the actors attractive and Feng ? initially a comedy director, though hes branched out in recent years to historical epics like “Back to 1942” and dramas like 2017s record-breaking “Youth” ? did not get where he is without learning a thing or two about playing an audiences responses. So while your rational mind is rebelling against its more shameless manipulations, your hands may well be scrabbling through your bag for tissues, napkins, store receipts, candy wrappers ? anything to mop up a flood of saltwater tears so deep, its possible a whole pod of whales (a recurring motif) lives within it. It starts with a shellshocked Sui Dongfeng, aka Simon ( Huang Xuan, from Fengs “Youth”) moving soundlessly through his Auckland home trying to summon the ghost of his pretty wife, Yun Luo aka Jennifer ( Yang Caiyu, also from “Youth”. She does briefly appear, but after a chaste hug and a bit of tidying (misty though its view of fateful, soulmate-style love is, the film has a fairly retrograde idea of a womans role) and slips away again, leaving Simon bereft. And so he embarks on his very, very sentimental journey, though New Zealands picturesque North and South Islands, to revisit the places where they made such sweet memories, and to scatter her ashes. Although this modern-day journey is the films basic narrative, it is really just a framing device for a movie that, like Simon, lives in the past. And so the real tale is told in two gluttonous series of flashbacks of which, awkwardly, the first is set later in time, detailing the newlyweds moving to a small town called Clyde and opening a Chinese restaurant, while the second covers the couples meet-cute as young immigrants to Auckland from Beijing. These reminiscences are suspended in the amber romance of DP Zhao Xiaodings outrageously pretty photography, petted ceaselessly by Dong Gangs omnipresent, emotive score, and usually cued by someone happening into a slant of golden light, assuming a faraway look and saying, “I remember the very first time I met her…” If Dongs music spares us a harp glissando to transport us into the past, its almost the only trick in the old-school melodrama box it does not use. The most curious facet of “Only Cloud Knows” might just be its incuriosity. Despite an evident entrancement with the ribbons of roadways that trail through New Zealands rolling hills, and the cattle-dotted fields that surround the couples new home, there is very little here that approaches anything like commentary on the struggles or rewards of the Chinese expatriate lifestyle in New Zealand. Though we know they both grew up in Beijing, we never find out exactly why either moved away, much less why specifically to this far-flung land. In Clyde they make exactly one local friend, Melinda (Lydia Peckham) a sparky waitress with an adventurous spirit whose world travels occasionally give Jennifer a little sigh of envy. The rest of their time is spent making the restaurant a success, doing nice little things for each other and playing with their smart, scruffy, rescue dog, Blue. At this point, their oddly self-contained life is one of such picture-perfect tweeness that wed know tragedy ? human and canine ? awaited even if the lightly portentous minor-key piano accompaniment didnt basically skywrite that fact across the massive South Island heavens. Across this and the earlier time frame, in which Jennifer and Simon meet while both renting rooms from kindly widow Mrs Lin (Feng regular Fan Xu) the film traces their friction-free relationship with plodding fidelity. But though the story is loosely based on the real-life experience of one of Fengs close friends and collaborators ? or maybe because of that ? it feels ethereally divorced from reality. Jennifer, despite Yang Caiyus best efforts and unerring ability to locate the loveliest light to gaze sadly into, is a sliver of a character, whose air of haunted melancholy, and need for “protection” are frequently mooted, but never really explained, until the films unsatisfying coda. That final revelation is, however, delivered by the wonderful Zhao Shuzhen, so beware that just when you might have put away the tissues for good, the grandmother from “The Farewell” is going to show up to wring a few more out of you. Schematic and manipulative as it is, as a kind of team-effort between the New Zealand Tourist Board and whatever the Chinese equivalent of Hallmark is, “Only Cloud Knows” is, in the moment, undeniably effective at jerking tears. If it does anything like the numbers that Fengs films have done in the past, expect reports of mass dehydration. The Sundance Film Festival is fighting a battle thats been building for several years, and what its fighting for can be summed up in one word: relevance. What makes a Sundance movie relevant? In a sense, the old criteria still hold. Its some combination of box-office performance, awards cachet, and that buzzy, you-know-it-when-you-see-it thing of. When Tim Bell died in London last summer, the media response was largely, somewhat sheepishly, polite: It was hard not to envision the ruthless political spin doctor still massaging his legacy from from beyond the grave. “Irrepressible” was the first adjective chosen in the New York Times?obituary. “He had far too few scruples about who. After three weeks in theaters, Sonys “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made 291 million globally to date, pushing it past previous franchise record holder, 2003s “Bad Boys II” and its 271 million haul. The first entry, 1995s “Bad Boys, ”. World War I story “1917” dominated the BAFTA film awards, which were awarded Sunday evening at Londons Royal Albert Hall with Graham Norton hosting. The wins for “1917” included best film, best director for Sam Mendes and outstanding British film. The awards are broadcast on the BBC in the United Kingdom and at 5 p. m. “1917, ” Sam Mendes World War I survival thriller, dominated at the 73rd British Academy of Film and Televisions Film Awards with seven wins including best film and best director. “Joker, ” meanwhile, which went into the BAFTAs with the most nominations, 11, won three awards including best actor for Joaquin Phoenix. “Parasite” picked up two awards. ] Every summer, more than 1, 000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up. In 2017, the program attracted attention for all the wrong. Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend. Studios consider Sundays NFL championship a dead zone at movie theaters since the Super Bowl is the most-watched TV event of the year. And 2020 proved no exception. Overall ticket sales.

Zhi You Yun Zhi Dao 2h?12min 2019 ? ? Romantic drama ? ? China Original?lang: Mandarin 8. 5 4 reviews After the death of his wife, a man decides to retrace their steps from the past, looking to reconnect with old friends and make right promises he made before her death. Guide for parents: violence, offensive language. G Guide for parents: violence, offensive language. PG Guide for parents: violence, offensive language. Guide for parents: violence, offensive language. PG Guide for parents: violence, offensive language. Directed by Xiaogang Feng Written by Ling Zhang Company China Lion Film Distribution China Lion Film Distribution China Lion Film Distribution China Lion Film Distribution China Lion Film Distribution China Lion Film Distribution.
Zhi you yun zhi dao 2017. Zhi You Yun Zhi day in the life. Only Cloud Knows (2019. Movies, In Theaters Theatrical Release Calendar DVD-VOD Release Calendar Genres Most Popular Most Anticipated TV, New On TV Catch Up Games, New Releases Coming Soon Browse, Blog Director: Feng Xiaogang Cast: Huang Xuan, Xu Fan, Yang Caiying, Lydia Peckham 0 Views Related Videos (1) Only Cloud Knows ? All Videos More Videos Gretel & Hansel The Rhythm Section Il Traditore Goalie Created Equal: Clarence Thomas In His Own Words Toxic Beauty The Gentlemen The Turning Details Description: “Only Cloud Knows” tells a story about a Chinese widower who returns to New Zealand after the death of his wife, and discovers that she held secrets in her past. Retracing the journey of their courtship, he seeks to fulfill a dream she never had a chance to complete. Release Date: 12/20/2019 Genre: Romance Studio: China Lion Film Distribution Rating: Release Dates: Country Release Type Date United States Theatrical Wide Release 12/20/2019 Copyright 2020.
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Zhi you yun zhi dao karaoke. Zhi you yun zhi dao video. Zhi you yun zhi dao movie. Zhi You Yun Zhi day loans. Rated NOT RATED Released on 20 Dec 2019 Type Movie Runtime 132 min IMDB Link 10564446 IMDB Rating 6. 0 (111 votes) Cast Xuan Huang, Caiyu Yang, Lydia Peckham, Fan Xu Directed by Xiaogang Feng Genres Drama, Romance Summary to be update... Zhi you yun zhi dao 2. Zhi you yun zhi dao chinese restaurant. Zhi you yun zhi dao. Oscar Contest - News - Release Schedule - Daily Box Office - Weekend Box Office - Weekly Box Office - Annual Box Office - Box Office Records - International Box Office - Distributors - People Records - People Index - Genre Tracking - Keyword Tracking - Franchises - Research Tools - Bankability Index - Weekly DVD+Blu-ray Chart Metrics Latest Ranking on Cumulative Box Office Lists Record Rank Amount All Time International Box Office (Rank 2, 701-2, 800) 2, 800 23, 427, 010 All Time Worldwide Box Office (Rank 4, 501-4, 600) 4, 532 See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records. Movie Details December 20th, 2019 The massive competition has led to very few limited releases this week and most of what we do get are re-releases of Agnès Varda. Not that Im complaining about that. Her films are not the only limited releases of the week; they are not even the only limited re-releases of the week. However, I think her retrospective is the most intriguing option of the week. More... Weekend Box Office Performance Daily Box Office Performance Weekly Box Office Performance Box Office Summary Per Territory Territory Release Date Opening Weekend Opening Weekend Theaters Maximum Theaters Theatrical Engagements Total Box Office Report Date Australia * 12/20/2019 20, 762 17 33 38, 077 12/31/2019 China 12/18/2019 9, 490, 000 75831 100104 23, 266, 174 2/1/2020 New Zealand 12/19/2019 46, 796 18 70 118, 435 1/13/2020 United Kingdom 4, 324 8 12/27/2019 International Total 23, 427, 010 * For these territories the Opening Weekend Theaters, Maximum Theaters and Theatrical Engagement values are based on screens instead of theaters. International Cumulative Box Office Records Record Rank Revenue All Time International Non-Sequel Box Office (Rank 2, 201-2, 300) 2, 272 Top 2019 Movies at the International Box Office (Rank 101-200) 133 All Time International Box Office for Original Screenplay Movies (Rank 1, 301-1, 400) 1, 367 All Time International Box Office for Live Action Movies (Rank 2, 301-2, 400) 2, 320 All Time International Box Office for Contemporary Fiction Movies (Rank 1, 301-1, 400) 1, 324 All Time International Box Office for Drama Movies (Rank 501-600) 573 All Time International Box Office for China Lion Film Distribution Movies 44 Worldwide Cumulative Box Office Records All Time Worldwide Non-Sequel Box Office (Rank 3, 801-3, 900) 3, 864 Top 2019 Movies at the Worldwide Box Office (Rank 101-200) 172 All Time Worldwide Box Office for Original Screenplay Movies (Rank 2, 201-2, 300) 2, 278 All Time Worldwide Box Office for Live Action Movies (Rank 3, 901-4, 000) 3, 911 All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 2, 201-2, 300) 2, 294 All Time Worldwide Box Office for Drama Movies (Rank 901-1, 000) 983 All Time Worldwide Box Office for China Lion Film Distribution Movies 45 Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at. For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Zhi You Yun Zhi daoud. Zhi you yun zhi dao meaning. Zhi you yun zhi dao lyrics. Zhi you yun zhi dao youtube. Zhi you yun zhi dao ho. Zhi you yun zhi dao chinese. Zhi You Yun Zhi daoudi. Stars: Xuan Huang, Caiya Yang, Lydia Peckham and Xun Fan. Writer: Ling Zhang Director: Feng Xiaogang Rating: ★ ★ ★ ? There are two clear reasons for Only Cloud Knows to exist ? to wring distraught tears from every ounce of its ill-fated romantic melodrama and to sell the spectacular New Zealand countryside as the best possible backdrop to said sadness. Veteran filmmaker Feng Xiaogang is working on a smaller, more intimate scale than some of his past populist pics (Aftershock, 2010; I Am Not Badame Bovary, 2016; Youth, 2017) but the directors feel for sellable sentiment and capital-E emoting remains as solid as ever. Based upon the true story of one of the directors friends, Only Cloud Knows follows distraught widower Sui ‘Simon Dongfeng (Xuan Huang) as he recounts a life spent loving his late wife Luo ‘Jennifer Yun (Caiya Yang) across both islands of Aoteoroa. The diaspora experience has been a central theme of many of Fengs works, dating back to his directorial debut, the TV series A Native of Beijing in New York (1993) others include the LA-set rom-com Be There or Be Square (1998) and If You Are The One (2008) featuring Japans northernmost island, Hokkaido. Working from a script penned by acclaimed author Ling Zhang, the narrative is split in three distinct acts. The first hour covers those happy days spent by the lovers in the Otago township of Clyde, making enough of a living from the small bergs only Chinese restaurant while coping with an increasing number of existential tragedies (not least of which is an extended sequence in which the pair weep tears for days as they cope with their old dogs particularly painful passing. The second hour recalls the earliest days of their romance in late 1990s Auckland, when Simon had a mullet and played the flute, Jennifer thought herself unfit for marriage only to be won over by his persistence and some spontaneous gambling sets them up for life together. The final passage relentlessly pulls at the heartstrings, with the cancer-riddled Jennifer being held in her final hours by a distraught Simon (all of which he recounts to a very patient charter boat captain, who responds appropriately by taking a big swig from his hip flask. Support players liven up the occasionally heavyhanded scenes between the lovebirds, notably the terrific Lydia Peckham as waitress-turned-bestie Melinda and renowned Chinese actress Xun Fan as landlady Ms Lin, whose own sad memories supply a rewarding subtext. Shot through the prism of grief and memory, Oscar-nominated DOP Zhao Xiaoding (House of Flying Daggers, 2004; Children of The Silk Road, 2008; The Great Wall, 2016) borrows a rich, primary-colour palette from the master of grand weepies, Douglas Sirk; plot wise, the other clear inspiration is Arthur Hillers Love Story (1970. Those not in tune with the ripe pleasures to be had from time-shifting romantic tragedies will struggle to make the final handkerchief-filling scenes; if The Notebook, The Lakehouse and/or Somewhere in Time are kept in a drawer under your television, Only Cloud Knows is for you.? Despite the cast and crews best efforts, the true on-screen stars are the green fields, rugged mountains and autumnal shades of The Land of The Long White Cloud; shepherded into life with the aid of The New Zealand Film Commission, the dreamy drama represents another international co-production triumph for the progressive local sector.
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